Foxhole
 
 
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Foxhole title
A short play by Kade Mendelowitz
Foxhole is a short (7 min) play written by Kade Mendelowitz to be used as a Lighting Design project. Most "paper projects" don't give the student any sense of blocking or movement to the piece - watching a rehearsal, even with scripts in hand, helps the student figure out their cue plot (where cues should go) and often helps with conceptual insight and color/angle choices. I have produced three plays for the sake of "simply" giving the student a script they can read, and rehearsals they can watch which will aid them in this process.

3 sample plays are available on this site, though this one has finished examples available for your perusal.

Your assignment:
  • Read the play "Foxhole" by Kade Mendelowitz.
  • Print the groundplan (available below), and examine it.
  • Try to envision what the blocking (actor movement) would look like, and what lighting would be required – and what would best serve the play.
  • Watch the rehearsal video (below).
  • Write a concept paper.
  • Develop your own "cue plot" & "color key" and compare them to the examples included here.

Stage right there are two mounds apparently made of sand and stacked sandbags, separated by about 8 feet. Stage left is a short wall built like a small bunker.
The entire stage is covered in sand, perhaps the remnant of an old jeep, and small mounds. There is a full stage cyc.
There is a single soldier behind each of the more center foxholes. The soldier stage right is Joe, a typical member of the U.S. Army in a pale camouflage green brown tan uniform, armed with a rifle. The soldier stage left is Mohammed -- an Afghani male dressed in tan with a head wrap and semi automatic.
It is midday, July 10, and it is hot -- 113°F. Occasional gunshots and mortar shells can be heard in the background. Scattered upstage small squirts of compressed air helped the sand to look like minor explosions.

Tim (offstage)              1, 2, 3...
Joe quickly fires, stage left, Mohammed ducks.
Another soldier (Tim) in full U.S. Army fatigues runs on  from stage right and ducks behind the offstage foxhole.
Joe                               Billy going to be okay?
Tim                              Yes. Javier and I were able to get him to the medic. He says Billy is stable, though he may never be able to throw a football again.
Joe:                              Shit. They might as well have killed him.
Tim                              Well, I'm not sure Tracy would agree.
Joe                               Yeah. At least he'll probably get to see her pretty soon.
Tim                              Which is probably more than you can say for us.
Joe                               OK; so what are the orders now? Long pause. Are we pulling back?
Tim                              They need us to hold the line. We have to stop them from advancing until we can get some air support. This is an important junction for us.
Joe                               It's always an important junction...  Long pause but the background noises continue. When the hell are we going to get the air support?
Tim                              Look, we at least have to cover for them as they pull Billy back to the hospital.

Mohammed jumps up and takes a few shots at Joe's foxhole, then ducks.
Joe holds his gun above his head and shoots blindly stage left.
Mohammed takes aim at Joe's foxhole when Tim stands up to take a shot. Mohammed shoots Tim -- Joe sees him get hit.
Tim falls to the ground dead, dropping his gun to his side.

Joe                               Tim! Are you okay? Long pause. Tim?

Mohammed is crouching trying to see if he can advance.
Joe shoots, but misses -- they both return to active hunting positions
Joe looks inwardly thoughtful for a moment. The background noises fade to a stop. Then Joe stands up, steps down stage and speaks directly to the audience.
Joe                               Damn, man. Tim's dead. He was a really good soldier. He'd been on the front lines for months before I'd even got here. And Billy? He was our Captain. A more standup guy you'll never meet -- he put his life on the line for all of us many times. But he lived for football -- and no matter what anyone says, I think he loved football more than he loved Tracy even. And those bastards killed Tim and took Billy's dreams away? I will hold the line.

As Joe returns to his active position, the background sounds and occasional sand explosions resume. Joe fires stage left and we're back to the normal world of the play.
The regular firefight continues for a minute or two.
Mohammed looks inwardly thoughtful for a moment. The background noises fade to a stop. Then Mohammed stands up, steps down stage and speaks directly to the audience.

Mohammed                 I am not even military. I am just... what you would call a blacksmith. I did not ask for this war. I hear your country doesn't even think this is a war. Some kind of occupational peacekeeping. I am just a simple man. My wife and son were at the market. When US troops decided our market -- which has been there for hundreds of years -- should no longer be. That my son, only seven years old -- should no longer be. Civilian casualties, in my home country, that did not start this war. My wife, my beautiful wife, who never hurt anyone, was lying there with her insides pouring out of her stomach. And her face, her face which was always smiling, was cut up nearly beyond recognition. My boy. My boy was barely alive. When I ran to him after hearing of the attack, he could not breathe easily, and when he spoke, he spat blood, his innocence was still with him before his innocence was no longer in his eyes.
I could no longer sit by -- I could no longer not be involved. You must leave my home. You must leave my country. You have been killing us for years. You must leave.

As Mohammed returns to his active position the background sounds and occasional sand explosions resume. Mohammed fires stage right and we're back to the normal world of the play.
The regular firefight continues for a minute or two.
Joe looks inwardly thoughtful for a moment. The background noises fade to a stop. Then Joe stands up, steps down stage and speaks directly to the audience.

Joe                               Dear God, I know it's important that I hold this line. In the distance I can see that Billy is being loaded into an ambulance. I know that in 30 seconds, he'll be on his way to safety. I hope my dad's proud of me. My mom, my mom always understood me -- and when she didn't -- she trusted me. That meant the world to me. My brother Jerry went to college -- he was always so good at sports: he and dad always had a lot to talk about. Basketball scholarship, and he used it to study theater. My dad wouldn't admit it, but I'm sure he was disappointed -- what the hell does a lighting designer do anyway? He laughs. Guess I'll never know. But I sure hope Jerry knows. We're fighting so he can be an artist. So he can marry and have two kids -- someday. I'm here, holding the line, so they can be free to choose whatever they want. So these towel headed monsters can't be blowing up planes, blowing up cars, or pissing out oil over the beautiful America landscape.

As Joe returns to his active position the background sounds and occasional sand explosions resume. Joe fires stage left and we're back to the normal world of the play.
The regular firefight continues for a minute or two.
A plane can be heard approaching, flying overhead. The loud, unmistakable whistle of a bomb closes down on their position.
Blackout.
End of play.


Having trouble viewing the video? Watch it directly on Vimeo or YouTube.

Groundplan
- provided by set designer

Typically this is provided by the Set Designer, and the Script by the Director/Producer/Stage Manager.
Those are often the only documents you get.

Foxhole Groundplan

PDF version of the Foxhole Groundplan

Joe Costume Research
- provided by costumer

Joe Costume Research

Joe Costume Research

Mohammed Costume Research
- provided by costumer

Mohammed Costume Research

Mohammed Costume Research - provided by costumer

Examples of other types of lighting design paperwork.

Not Smart Lighting Areas

Foxhole Lighting Areas

Poorly laid out Foxhole Lighting Areas
Cheat Sheet (aka: "Magic Sheet")

Foxhole Lighting Areas

Foxhole "Cheat Sheet" PDF
Section (aka: "Center-line Section")

Foxhole Center-line section

Foxhole Center-line section
Formal / completely drafted sections are rarely produced; but doing quick mock-ups (like this one) can be very useful for determining the angles of throw from various positions, especially when you're working in an unfamiliar space.